World - LP

V/A : Music from the mountain provinces

Brel, Jacques : Ne me quitte pas

Brel, Jacques : Bruxelles

Live at the Olympia 1961, 180g vinyls

Tamikrest : Chatma

Aavikko-blues soi jälleen! “Chatma” on yhtyeen kolmas pitkäsoitto, joka navigoi erilaisten kokemusten ja tapojen läpi muodostaen vakuuttavan ja runollisen musiikillisen dokumentin. Suoria heijastuksia, moraalista närkästystä, kulttuurillista juhlaa ja rock and rollin potkua.

Aubert, Jean-Louis : Regarde-moi

Record Store Day 2013 -tuote

Taylor, Ebo : Ebo Taylor

Powell, Baden : A vontade

Holcomb, Roscoe : Close To Home

Doumbia, Na Hawa : La Grande Cantatrice Malienne Vol. 3

Awesome Tapes From Africa-labelin ensimmäinen julkaisu!

Souleyman, Omar : Haflat Gharbia: The Western Concerts

V/A : Bellyachers listen - Songs from East Africa 1938-1946

Astatke, Mulatu : Mulatu Steps Ahead

Buena Vista Social Club : Live at carnegie hall

75 Dollar Bill : Power failures (2lp)

First ever, remastered vinyl version! The core duo plus guest collaborators expand its sonic palette of Rick Brown's elemental percussive patterns and Che Chen's ecstatic modalguitar style to a new musical richness. With some tape releases and their first album 'Wooden Bag,' 75 Dollar Bill quickly introduced themselves as one of the hottest, most unique and essential groups at the heart of NYC's underground - the following 'Wood/Metal/Plastic Pattern/Rhythm/Rock' (2016) made the duo known internationally, and the 2019 double vinyl 'I Was Real' turned out a major success at the critics and audience alike with the #1 spot in The Wire's albums of the year list! Then came the pandemic, and in lack of opportunities to actually perform in public, the core duo of Rick Brown and Che Chen released several Bandcamp only albums in digital format, one of these being 'Power Failures.' Brown's elemental percussive patterns (often simply played on a wooden box)and Che Chen's ecstatic modal guitar style (often under the influence of his studies with Mauritanian guitarist Jeich Ould Chigaly) are at the core of the tracks with guest collaboratorslike Yo La Tengo's Ira Kaplan (guitar), Sue Garner (violin) or Steve Maing (saxophone, guitar) expanding the sonic palette to a new musical richness. Trance-inducing psychedelia, "placeless, gripping grooves" (The Guardian), collagedrehearsal and field recordings, mantric percussion, microtonal guitar sounds - 75 Dollar Bill sound as deeply rooted in traditions as they sound fresh-of-today, a kind of future music from the past. Hard to grasp by words, and impossible to resist!

Afonso, Jose : Venham mais cinco

The acclaimed 1972 full-length by Portuguese folk musician andpolitical activist José Afonso gets a well deserved reissuetreatment. 'Venham Mais Cinco', Afonso's most daring album, was the last released during the Portuguese dictatorship.

Afonso, Jose : Cantigos de maio

This highly rated 1971 album by the Portuguese folk singer gets its awaited reissue.

Afonso, Jose : Enquanto ha forca

Originally released in 1978 and now reissued, 'Enquanta Ha Forca' contains nine tracks from one the most influential folk and political musicians in Portuguese history. José Afonso passed away in 1987.

Afrosound : Carruseles

Reissue

Ag Kaedy, Ahmed : Orion congregation

The line-up of this Berlin-based unit is a mixture of Malian, Nigerian and German musicians. Led by Ahmed Ag Kaedy's entrancing guitar licks, which seamlessly merge blues and rock with the traditional "Assouf"-style of his homeland Mali, the pace soon quickens as the band pick up the gauntlet.

Akkor, Kamuran : Kamuran Akkor

Allen, Tony : There is no end

Altin Gün : Yol

Ambolley, Gyedu-Blay : Ambolley

"Extremely hard-to-obtain LP from the Ghanaian master composer, producer and musician. Originally released in 1982 by the WEA International label and then again in Germany in 1985 by Ambolley himself; this is one of his finest albums in our opinion. Ambolley' fuses Highlife, disco and boogie sonics perfectly and features the anthemic club cut, 'Highlife'. "Official Mr Bongo reissue. Licensed from Gyedu-Blay Ambolley."

Antti & Isotalo : Kuollehet sankarit

Asake : Mr. Money With the Vibe

Astatke, Mulatu : Mulatu Plays Mulatu

Astatke, Mulatu / Ethio Stars / Tukul Band : Addis 1988

Athenians : Steppin' out with the athenians

Available on vinyl, this compilation collects all the singles of Edinburgh-based '60s beat-mod-r&b heroes The Athenians and adds previously unreleased recordings from surviving acetates. Genre fans will be delighted!

Avalanche Kaito : Talitakum

Azymuth : Demos (1973-75) Vol.2

Download Code

Azymuth : Azymuth

Baba Commandant & The Mandingo Band : Siri ba kele

The second LP from Baba Commandant & The Mandingo Band offers a potent mix of traditional and modern Burkinabe funk with a reverent take on the iconic Mandingue guitar music of the 1970's. Mamadou Sanou (Baba Commandant) leads the band with a confidence earned from years of toiling in the DIY underground of the West African music scene. His riveting growl and main instrument, the doso n'goni, still strike with a profound delivery, whilst his band has become an interlocking five-headed hydra of complex funk and cosmic guitar explosions. The album was recorded in Ouagadougou, Burkina Faso in February 2018.

Baklava : From Skopje with love

Bamba, Sorry : Sorry bamba du mali (1976)

Reissue of 1976 album by one of the most pivotal figures in the history of Malian music.

Barretto, Ray : Latino!

Bcuc : Emakhosini

Belafonte, Harry : Day-o

Ben, Jorge : Big Ben

Ben, Jorge : Jorge Ben

Bernstein, Leonard : West side story ost

Gatefold

Bhattacharya, Anandi : Joys Abound

Black Flower : Artifacts

Boine, Mari : Gula Gula – Hør Stammødrenes Stemme

Remastered

Borges, Lo : Lo borges

Reminiscent of the 'Clube Da Esquina' album he made the same year with Brazilian superstar Milton Nascimento, Lô Borges' 1972 solo debut proves that his influence on Nascimento was quite strong. The recording is texturally lush and dreamy, at times urgent and bizarre, and filled with the fantastic and intricate guitar playing one would expect of Borges after hearing his dazzling work with Nascimento. His vocal arrangements are lavish, often similar to the vocal qualities of George Harrison's 'All Things Must Pass,' and his instrumental arrangements are just plain confounding. Piano phrases mash in and out of control over the unorthodox yet clever progressions; polyphonic percussion interlocks with jazzed-out organ lines and thoughtful, melodic bass work. Occasionally, a string section will fall into place, fulfilling the album's decorative quota, and the whole construction becomes watertight. It is truly stunning to pick apart the timbre of individual instruments and realize how necessary and meticulous each part is in the overall presentation. Borges is one of those arrangers who can build up a music bed with miles of depth and construct a wall of sound, yet keep the overall concept in crisp focus. No layer of the instrumentation seems to ever become obscured by another, nor does any part seem unnecessary, and so much is going on rhythmically and melodically that it demands full attention. The remarkable quality of Brazil's musical culture to seamlessly integrate as many outside influences into one place is well represented here. Many western textures, such as soul, rock, jazz, and pop, are absorbed into the picture with fervor and grace rarely executed in the world of western music. 'Nao Foi Nada' illustrates this particularly well, but the melting-pot sentiment echoes through all of Borges' performances here. (All Music)

Brahim, Aziza : Sahari

Brel, Jacques : Best of coloured vinyl

Buarque, Chico : Sinal Fechado