Jazz - LP

Lee, Okkyung : Just like any other day (어느날): background music for your mundane activities

Ribot, Marc : Map of a blue city

Black Vinyl LP, Sleeve, Jacket

Courtis, Anla / Anla Courtis ja Lehtisalo : 1972

Orange vinyl

Allen, Marshall : New Dawn

Mari Kvien Brunvoll & Stein Urheim With Moskus : Barefoot in bryophyte

Kjetil Mulelid : Agoja

Fire! : Testament

clear vinyl

Kjetil Mulelid Trio : Who do you love the most?

Comet Is Coming : Hyper-Dimensional Expansion Beam

Jo Berger Myhre : Unheimlich manoeuvre

Dixon, Bill : In italy;volume one

Westerhus, Stian : Redundance

Vinyl LP (180g, green vinyl) in thick (350gsm) spined sleeve and printed inner sleeve, including 4-page inlay

Parker, Jeff : Suite For Max Brown

Brötzmann, Peter / Brötzmann / Edwards / Noble : The worse the better

Ayler, Albert / Cherry, Don : Vibrations

Reissue

Atomic : Pet variations

Ruokangas, Heikki / Heikki Ruokangas & Henrik Hako-Rita : Mono and Dialogues

limited edition color vinyl

Supersilent : 13

2LP+CD

Aarset, Eivind : I.E.

Atomic : If this wall could sing

Britpop influenced indie sounds from Germany, available on vinyl.

Ayler, Albert : In Greenwich Village

Reissue, Stereo, Gatefold

Bennink, Han / Ex, Terrie : Let's go

Brötzmann, Peter : Nearer the bone, the sweeter the meat

Brötzmann/Miller/Moholo

Centazzo, Andrea : U.s.a. concerts

The Italian Ictus imprint was founded in 1976 by percussionist and composer Andrea Centazzo and his wife Carla Lugli. Running for just under a decade, until relaunching during the mid-2000s, the label produced a couple of dozen highly celebrated releases, the majority of which loosely fall under the banner of free jazz. Ictus' second batch of releases from the label's historic archives logically begins with Andrea Centazzo's 'U.S.A. Concerts,' originally issued in 1978 and out of print on vinyl for the majority of the time since. 'U.S.A. Concerts' draws on the same rough period when Centazzo was working in the United States at 'Environment For Sextet,' which was reissued in the previous batch, and features many of the same players - Polly Bradfield on violin, Eugene Chadbourne on guitar, Tom Cora on cello, Toshinori Kondo on trumpet and John Zorn on saxophone - in different configurations. In fact, the first, second, and seventh tracks - 'Sextet Improvisation,' 'Duet Improvisation 1,' 'Duet Improvisation 4' - were all recorded on the same day at the same location - WKCR Radio in New York on November 7, 1978 - as the aforementioned album.Beginning with the brilliant textural and tonal explorations of the full ensemble encountered in 'Sextet Improvisation,' the album quickly moves toward quieter and more restrained investigations of roughly similar ground, moving through a series of duo improvisations between the percussionist and Eugene Chadbourne, Tom Cora, and the under-celebrated saxophonist, Jack Wright, whose howling horn is transformed to otherworldly effect by the reverberance of the space within which he works. From here Centazzo embraces the trio form with an improvisation with two more under-celebrated figures from the American scene - Davey Williams playing guitar and banjo, and LaDonna Smith on violin, viola, and voice - capturing a performance in Jackson, Mississippi on November 19, 1978, during which the three fire responsive statements that hang like barbs in the spacious air, before conceding...

Comet Is Coming : Imminent

2020 black friday release

Comet Is Coming : Hyper-dimensional expansion beam

Color vinyl

Diaz-Infante, Ernesto : Bats in the lavender sky

Veteran Bay Area improviser Ernesto Diaz-Infante's latest slice of minimal guitar 'Bats In Tthe Lavender Sky' releases on limited edition vinyl. Nine hypnotically transcendental tracks that draw on krautrock, minimalism and analogue electro-acoustica. Another mesmerising outing from the master of understated guitar!

Ellis, Brian : Life sentence / driftin' off

Brian Ellis & Sven Atterton

Fire! : She Sleeps, She Sleeps

Flying Luttenbachers : Live at wnur 2-6-92

Originally released on cassette in 1992 and then CD in 1996 this is The Flying Luttenbachers' first transmission to Earth. A furious snapshot into the early days of the band and featuring the line-up of Weasel Walter, Hal Russell and Chad Organ. For the first time on vinyl, limited to 300 copies.

Gysin, Brion : Junk

FIRST EVER REISSUE OF BRION GYSIN'S 80'S CULT AVANT-FUNK CLASSIC PRODUCED IN PARIS BY RAMUNTCHO MATTA BETWEEN 1980 AND 1984 AND FEATURING DON CHERRY, LIZZY MERCIER DESCLOUX AND ELLI MEDEIROSWewantsounds is delighted to reissue Brion Gysin's cult avant funk album produced by Ramuntcho Matta in the early 80's. The hugely influential Gysin who, with his friend William Burroughs, was revered by the likes of David Bowie, Brian Jones, Laurie Anderson, Genesis P-Orridge, is accompanied here by Matta - on his return from a two-year spell in New York - and French post punk stalwarts Yann Le Ker (from the group Modern Guy) and Frederic Cousseau (from Suicide Romeo) plus special guests including Don Cherry, Elli Medeiros, Lizzy Mercier Descloux, Caroline Loeb and Senegalese drummer Prosper Niang (Xalam). This is the first time the album is reissued, newly remastered from the original tapes.

Jamal, Khan : Give the vibes some

Limited deluxe reissue of 1974 space age jazz album. It's quite simple, if you have a good connection with music, to find things that should be reissued due to their exceptional quality, but, like a diviner, being able to unravel the problems related to the licensing of a record, well, that's much more difficult. Finding someone is Sherlock's job! After 4 years, Khan Jamal II (son of Khan Jamal) delighted Serie.Woc with a "Let's go my guy." Khan Jamal doesn't need much introduction: Born Warren Robert Cheeseboro, he was a jazz vibraphone and marimba player from Philly. He founded the band Sounds of Liberation in 1970 with Byard Lancaster. In 1974, during one of his many trips to the old continent, he recorded this album in France at Jeff Gilson's Palm studio. It is a delicate game of lucid and intense contrasts between Christian Vander's drums provides a rock oriented touch, the marimba and the vibes with influences from the lands of the rising sun of Jamal and the composed trumpet of Clint Jackson III which anchor 'Give The Vibes Some' in a sort of space age jazz era. In the end, you know what? This album is a transcendent journey into yourself, like an intense session of meditation... even if '35.007 Feet Up' could easily be played by Jeff Mills in his DJ set. Khan Jamal - vibraphone, marimba, Clint Jackson III - trumpet, Hassan Rashid - drums.

Corsano, Chris / Lau, Pak Yan : Asbestos and little rain

McPhee, Joe : Black magic man

First time vinyl reissue of this album featuring outtakes from McPhee's classic 'Nation Time' album, originally released in 1975 on Hat Hut. Liner notes by John Corbett.

McPhee, Joe : The willisau concert

First time vinyl reissue of this live record featuring John Snyder and Makaya Ntshoko, recorded at the Willisau Jazz Festival in Switzerland in 1975. Originally released in 1976 on Hat Hut. Liner notes by John Corbett.

Mumpbeak : Tooth

'Tooth', the follow-up to the formidable self-titled debut from 2013, once again conjures up pleasant memories of vintage King Crimson, ELP, Gentle Giant and other prog rock pioneers. Led by the Oslo based UK expatriate Roy Powell (keyboards) and featuring bassist and longtime collaborator Lorenzo Feliciati (Powell's bandmate in Naked Truth), this incarnation of the trio also includes the remarkable Norwegian drummer Torstein Lofthus, who's best known as a member of the avant-garde group Shining and the psychedelic trio Elephant 9. The LP is pressed on blue vinyl.

Musica Elettronica Viva : The Sound Pool

Parker, Jeff : Mondays At The Enfield Tennis Academy 

Prima Materia : La coda della tigre

Prima Materia was a vocal improvisation ensemble, founded by Roberto Laneri in 1973. Composed entirely of vocalists with no academic training, the group developed various techniques -revolving mostly around the use of overtones- that would embody their unique sound. No instruments nor electronic manipulations were ever employed within the group's physiognomy, which was realized purely through the human voice. 'La Coda Della Tigre,' the group's sole album, was recorded in 1977 by Alvin Curran and released on Ananda, an artist-run label founded by Laneri, Curran and Giacinto Scelsi. As the original liner notes state, "The music of Prima Materia may sound radically new, yet at the same time it is likely to ring some distant bell and evoke ancient emotions. This is not due to chance: indeed, the very name of the group points to a specific path, namely, the unfolding of the potential implicit in the alchemical symbol as embodying a process of transmutation of consciousness." Prima Materia's four members (Laneri, Claudio Ricciardi, Gianni Nebbiosi and Susanne Hendricks) combine voices to create a singular, beautiful drone that is (as the group's name suggests) both impossible to define and fundamentally simple. This first-time standalone reissue is recommended for fans of La Monte Young, Terry Riley and Disques Ocora.

Pupillo, Massimo : The black iron prison (smoke)

Known for his experimental jazz metal project Zu, Massimo Pupillo has collaborated with numerous heavyweights over the years, including Mike Patton (Faith No More), Buzz Osborne ((the) Melvins and Sonic Youth 's Thurston Moore and Jim O' Rourke. About the album: "The Black Iron Prison is a somber meditation and rumination inspired by the Gnostics, Philip K. Dick, and the alchemical maps of Nigredo. As the world is unveiled, and the Storm is upon us."

Schlippenbach, Alexander von / Lok 03+1 : Signals

Aki Takase/Alexander Von Schlippenbach/DJ Illvibe/Paul Lovens

Supersilent : 13

Gustafsson, Mats / Zu : How to raise an ox

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