Reggae - 20-30 euroa

Perry, Lee : Revolution Dub

Sly & Robbie : Dub sessions 1978-1985

V/A : Studio one 45s: Leroy Sibbles / Norma Fraz

V/A : Studio one 45s: the Skatalites / Dub Specialist

Marley, Bob : Catch A Fire

Reissue

V/A : Treasure Isle - Bond St.

V/A : Ska from the vaults of

W.I.R.L Recordsin holvien ska-aarteita!

Zukie, Tapper : Tapper roots

Sound System : Dub plate specials 1975

Leroy Smart, Johnny Clarke, Horace Andy, Cornell Campbell, Pat Kelly, Slim Smith, Delroy Wilson ja Jackie Mittoo tällä dubin spesiaalikattauksella.

Bug : Exit

Ras, Michael & The Sons Of Negus / Ras Michael : Nyahbinghi

V/A : The Blue Beat Explosion - Boogie In My Bones

Marley, Bob : Kaya

Easy Star All Stars : Dubber Side Of The Moon

Aggrovators : Dubbing it Studio 1 Style

Alborosie : For the Culture

Andy, Horace / Mittoo, Jackie : One step beyond/see a man's face

Big Joe : At the control

Reissue of second album by Big Joe (born Joseph Spalding in 1955), Jamaican reggae deejay and record producer, who recorded extensively in the 1970s and early 1980s. This is the follow up to 'Keep Rocking And Swinging,' released on Live & Love in 1978 and produced by Bunny Lee. A must for all the reggae and dub fanatics.

Black Uhuru : Live at rockpalast (2lp)

This release presents the audio of the legendary reggae band's 1981 live broadcast concert for Germany's popular TV show 'Rockpalast', which took place in Essen.

Marley, Bob / Bob Marley & The Wailers : Soul revolution part ii dub (black)

Reissued on vinyl, it's the classic dub companion to the legendary 1971 LP from reggae legend Bob Marley & The Wailers! Produced by the legendary Lee Scratch Perry, this collection contains dub versions of the smash hits 'Sun Is Shining', 'Duppy Conqueror', 'Kaya' and 'Keep On Moving' and others.

Kalphat, Bobby / Bobby Kalphat & the Sunshot All Stars : Zion Hill

Brown, Barry : Let's Go To The Blues

Brown, Barry : Love and protection

During the late 1970s and early 1980s, Barry Brown was one of the handful of upcoming artists that came to define the emerging dancehall style as a singer with a distinctive high tenor that was instantly recognizable, and one which inevitably made a lasting impression on the listener. His lyrics were witty, gritty, and full of gusto, typically addressing the trials and tribulations facing the underprivileged, but also celebrating the positive aspects of ghetto life, including the irresistible lure of the local sound systems, the need to enjoy a loving relationship with a woman, and the various other joys one may encounter along the way. Most of the work on 'Love And Protection,' an intriguing compilation that surfaced in the mid-1990s, brings us back to Barry Brown's peak period as heard on the 'Cool Pon Your Corner' and 'Far East' LPs, along with the original unembellished mixes of two EPs released by Black Roots, as well as some harder to trace material, such as the vibrant digital title track. Running the gauntlet from 'reality' tunes to dance numbers to songs of loving romance and everything in between, it ultimately emphasizes Barry Brown's impressive versatility, highlighting the important role he played in the shift from roots to dancehall.SIDE 1:1. Love And Protection 2. I Want To Get Closer 3. When You Love A Girl 4. Real Love 5. Check Yourself 6. Give A Helping Hand SIDE 2:1. Don't Let Problems Get You Down 2. Things And Time3. Moving On 4. I'm Not So Lucky 5. Lonely Man 6. Never Stop Trying

Brown, Dennis : Crown Prince Of Reggae: Singles 1972-85

Bush Chemists : Strictly dubwise

A classic UK dub LP from 1994 gets the vinyl reissue treatment! This edition is limited to 500 LP's.

Campbell, Al : Rainy days

Campbell, Al : Gee baby

2017 reissue of this 1977 album produced and arranged by Phil Pratt.

Campbell, Cornell : The Gorgon Dubwise

Capital Letters : Reality

A heavy old school sound reverberates from the Midlands reggae scene, one which remains unrivalled across the UK and is perfectly summed up by Capital Letters, whose mixing from 1985 is of an impeccable quality, here re-released for reggae fans everywhere. 'Reality' by Capital Letters should be a collectors favourite and a new generations introduction, it is a brilliant revival of classic authentic material and overall vibrant piece of work.

Carlos, Don : Wipe the wicked clean

Clarke, Johnny : Sings In Fine Style

Cook, Hollie : Hollie Cook

Cultural Roots : Hell a go pop

Disciples : Sabotage

Four tracks from The Disciples (a.k.a. reggae and dub music producer Russ D), issued on 10-INCH vinyl.SIDE 1:1. SABOTAGE2. DESTRUCTION MIXSIDE 2:1. STEPPERS NAH SLEEP2. NARCOLEPSY MIX

Andy, Horace / Dub Specialist : Skylarking/sky rhythm

Earl Sixteen : Soldier of jah army

What we have here is a top notch slice of roots and dub from reggae legend Earl Sixteen, best known for his work with the likes of Lee Perry, Augustus Pablo, Mikey Dread, Leftfield and Dreadzone. Earl revisits and updates a track from earlier in his career, featuring two vocal cuts, one dub version and a drum-led nyahbinghi style instrumental workout.SIDE 1;1. EARL SIXTEEN - SOLDIER OF JAH ARMY 2. EARL SIXTEEN - JAH CREATION DUB SIDE 2:1. EARL SIXTEEN - SOLDIER OF JAH ARMY - ALT. MIX. 2. JAH CREATION - BINGHI HORNS CUT

Ellis, Alton : Treasure isle 1966-1968

BACK IN PRINT! On vinyl, this is a collection of essential early ska recordings from the acclaimed Jamaican artist. Alton Ellis, previously one half of the duo Alton And Eddy, basically invented the term rocksteady when he gave one of his songs the title 'Get Ready (Do The Rocksteady)'.

Ethiopians : Freedom train

Gray, Owen : Fire and bullets

Fully licensed, 140gr vinyl. Reissued for the first time on vinyl, an amazing showcase of roots and reggae lovers, originally released on Trojan in 1977. Although his place as a reggae pioneer cannot be questioned, Owen Gray has felt for many years that he never got his due from Jamaica, his homeland. On August 6 2023, the government finally recognized his contribution awarding him with the honor of Order Of Distinction, Jamaica's sixth-highest honour. Gray, now 87, is ecstatic about what he considers an overdue and deserved reward. In the rocksteady era, he recorded for producer Sir Clancy Collins AKA Sir Collins. His popularity continued throughout the 1960s, working with producers such as Clement Dodd, Prince Buster, Sydney Crooks, Arthur "Duke" Reid, Leslie Kong, and Clancy Eccles, including work as a duo with Millie Small, with songs ranging from ska to ballads. He continued to record regularly, having a big hit in 1968 with 'Cupid.' His 1970 track 'Apollo 12' found favour with the early skinheads, and in 1972 he returned to Island Records, recording reggae versions of The Rolling Stones' 'Tumblin' Dice' and John Lennon's 'Jealous Guy,' although they met with little success. During this period, he regularly had releases on Pama and Pioneer Internacional label, Camel Records, and one single on Hot Lead Records. He had greater success in Jamaica, however, with 'Hail The Man,' a tribute to Emperor Haile Selassie, which was popular with the increasing Rastafari following.

Dub Specialist / Griffiths, Marcia : Feel like jumpin'/feel like jumpin' 2

Holt, John : 3000 volts of holt

The '3000 Volts Of Holt' album was the third in a series of records that launched John Holt into the UK charts in the 1970s. To say that every home had a copy of a '1000 Volts' and many '2000 Volts Of Holt' might be an overstatement but it certainly felt that way, as all good radio stations and parties seemed to have these tracks on permanent rotation. '3000 Volts Of Holt' was the more roots sounding of the three albums but still carried that sweetened string sound that set these recordings together.SIDE 1:1. Let's Get It While It's Hot2. In The Springtime3. Till I'm Gone4. Let's Kiss And Say Goodbye5. Winter World Of LoveSIDE 2:1. Oh What A Day2. Let's Do It Long3. No Place Like Home4. Ungrateful Lady5. You'll Never Find Another Love Like Mine

Brentford All Stars / Im & The Sound Dimension : Greegy g/jove jah

Isaacs, Gregory : New dance

One of the most popular and high profile of Jamaican reggae vocalists, Gregory Isaacs was a rough diamond who clawed his way out of the harsh western Kingston ghetto with an instantly recognisable voice that was wonderfully emotive, expressing both his toughness and determination for betterment, as well as the bleeding heart of a vulnerable lover. 'New Dance' is one of the excellent mid-1990s dancehall albums expertly produced by Anthony Dehaney, alias Bunny Gemini, working as usual with the Firehouse Crew, this time with Fatman Thompson of King Tubby's studio at the mixing desk and guitarist Lascelles Beckford of the Gifted Roots band as special guest. As usual, Gregory rides the rhythms with considerable aplomb, feeling completely natural atop the hard-edged rhythms and tackling a range of topics along the way. Much of the album deals with love lost, love gained, and love deferred; 'Say A Special Prayer' revamps the evergreen 'Send Me The Pillow That You Dream On' and 'New Dance' salutes the allure of dancehall music in the open air. This is one of Mr Isaacs' better offerings from the mid-1990s, worth getting to know if you're not already familiar with it, and a must-have if you've worn out your original copy.SIDE 1:1. Nobody Knows2. Say A Special Prayer3. For A Matter Of Time4. New Dance5. Don't Distress6. Lovely LadySIDE 2:1. Too Late Gonna Be Your Cry2. It's All In The Game3. Who Have Eyes4. Temperamental Lover5. Too Late To Cry6. Looking For A Love

Jah Thomas : Dance hall connection

Deejay Jah Thomas was one of the creative figures making a dramatic impact on the Kingston sound system scene of the late 1970s and early 1980s, the rhythms he laid at Channel One studio with the Roots Radics helping to steer reggae towards the emerging dancehall style. Voicing and mixing his work at King Tubby's studio, typically with the young upstart engineer known as Scientist, Thomas got his start as a quick-witted deejay in the vibrant sound system scene of western Kingston, making his recording debut in 1976 with 'Midnight Rock,' a hit that became the name of his record label, once he shifted to producing his own work. 'Dance Hall Connection,' which first surfaced in 1983, is easily one of his best LPs, Thomas ably riding the rough Radics rhythms with style. The title track is a variant of the 'Boneman Connection' theme that references dancehall's grounding in sound system culture, 'Friday Night Jamboree' salutes the music's potent allure on a top cut of the 'Entertainment' rhythm, and 'Let Him In' implores the gateman to allow an impoverished dreadlocks into the dance; 'Nigger Skank' warns against wrongdoers, 'Joker Smoker' pokes fun at those who can't handle their herb, and 'Living In Jamaica' describes various aspects of lifestyle on the island. Elsewhere, Thomas enters boasting territory on 'Cool Profile,' disses combative women on 'Jealous,' recounts his girlfriend's dubious antics on 'Gal A Laugh' and implores another not to forget him once she emigrates. Flash it, Jah Thomas! This is musical murder!

Jah Thomas : Dance on the corner

Toaster Jah Thomas began his career on the west Kingston sound systems of the mid-1970s, making a massive splash with 'Midnight Rock' in 1976. After a debut LP for Channel One, his self-produced 'Dance On The Corner' raised the bar several levels. Voiced at King Tubby's studio, mixed by Tubby, Jammy and Scientist and edited by the King himself, the album has Thomas chatting over hard Roots Radics rhythms earlier used by Barrington Levy - the perfect platform for Thomas' relaxed chants, vexed rants, and commentaries on Jamaican life. This is Jah Thomas at his best - a must for all fans of reggae, dub, deejay, and dancehall!

Keith & Tex : Same old story

The 2017 album by Jamaican rocksteady icons Keith & Tex is composed exclusively with original material, maintaining the rocksteady essence the duet was known for during the golden period from 1967 to 1969.

Kelly, Pat : Better get ready

Pat Kelly out of all the Jamaican singers was influenced most by the voice of American soul singer Sam Cooke. As were indeed many of the singers from that time, few however could carry out this daunting task as well as Pat Kelly. His delivery was perfect and so was his ability to carry any song that came his way. Pat Kelly (born 1949, Kingston, Jamaica) began his singing career in 1967 when he replaced Slim Smith as lead singer of The Techniques, his voice working so well with the impeccable harmonies of Winston Riley and Bruce Ruffin. Their first hit for the mighty Duke Reid stable was a version of Curtis Mayfield's tune 'You'll Want Me Back' retitled 'You Don't Care' which held the Number 1 slot in Jamaica for the six weeks. For this release Kingston Sounds have focused on material that Mr. Kelly had recorded with legendary Jamaican prodcer Bunny 'Striker' Lee. A match made in heaven and one that produced some of their finest work.