Cacciapaglia, Roberto : The Ann Steel Album
The Ann Steel Album
Cacciapaglia, Roberto
- Levy-yhtiö
- Half Machine
The odd sound of these European futurist pop songs make it sound like the machines are breathing, creating a weird organic/electronic rhythm section. It has to be heard to be believed. With fans ranging from Geologist and Avey Tare from Animal Collective to Deerhunter's Bradford Cox.
Tuotetta hyllyssä seuraavissa kaupoissa, toimitus heti
- Oulu 1
Voit myös tilata tämän tuotteen noudettavaksi lähimmästä Levykauppa Äxästä. Tämä tapahtuu siirtämällä tuote ostoskoriin ja valitsemalla kassalla tilauksen nouto kaupalta.
Kappaleet
Roberto Cacciapaglia is an Italian electronic composer who’s made albums using every possible permutation of the same six notes, right up to modern classical, with The Ann Steel Album as the weird anomaly. Made with an American model who moved to Italy to make it big in fashion, Roberto took her languid, Laurie Anderson-esque voice and created a detached futurist popstar. The odd sound of these European futurist pop songs make it sound like the machines are breathing, creating a weird organic/electronic rhythm section. It has to be heard to be believed. With fans ranging from Geologist and Avey Tare from Animal Collective, Deerhunter’s Bradford Cox and Banjo or Freakout/Walls mainman Alessio Natalizia. The first time this album has been on vinyl since its initial small pressing in the ’70s.
Saatavat versiot
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LP
Tuote on varastossa.
The odd sound of these European futurist pop songs make it sound like the machines are breathing, creating a weird organic/electronic rhythm section. It has to be heard to be believed. With fans ranging from Geologist and Avey Tare from Animal Collective to Deerhunter's Bradford Cox.
Roberto Cacciapaglia is an Italian electronic composer who’s made albums using every possible permutation of the same six notes, right up to modern classical, with The Ann Steel Album as the weird anomaly. Made with an American model who moved to Italy to make it big in fashion, Roberto took her languid, Laurie Anderson-esque voice and created a detached futurist popstar. The odd sound of these European futurist pop songs make it sound like the machines are breathing, creating a weird organic/electronic rhythm section. It has to be heard to be believed. With fans ranging from Geologist and Avey Tare from Animal Collective, Deerhunter’s Bradford Cox and Banjo or Freakout/Walls mainman Alessio Natalizia. The first time this album has been on vinyl since its initial small pressing in the ’70s.
